Sunday, July 16, 2017

5 Lessons from the UK


We just returned from a month of travel, first giving 2 seminars in the UK (England and Scotland), and then vacationing in Southern Ireland (EU, not UK).  The light was poor to average; it rained a lot, and I did the best I could with the six total minutes of good light I had. :-)  

Lots of pictures to share and lessons regarding those pictures.  I'll be as brief as I can.

Sunday, June 4, 2017

Mirrorless means Accurate AF, right?


This month features guest blogger Brian Ramage, whose dance photography was so impressive I wrote an article about him in an earlier issue of f2 Cameracraft (which you can read here for free - the article begins on page 25).  Brian wanted to know which of four different 85mm lenses for the Sony FE mount would give him the best real-world results for his portraiture work, and so he got his hands on them, examined the results, and was just a little annoyed at what he found.  His full article appears below after a few announcements.

Monday, April 17, 2017

5 Types of Outdoor Portrait Lighting

Also in this issue:
  • What's wrong with the Industry
  • 3 new ebooks out!
  • Seminar Schedule
  • Product lighting
5 Types of Outdoor Portrait Lighting

Today I'm taking pictures of a 1-year-old.  And just to add to the unpredictability, I'm going to light him 5 different ways.

Thursday, March 9, 2017

Full-Frame vs. Small Sensor (don't laugh...)


So here I was, on my way back from Las Vegas, and I came across a run-down old building that has a certain "character".  I pulled over and took a few pictures with my A99 II and Zeiss 24-70 f/2.8, then started to head back to the car.  Then I hesitated.

"These conditions are pretty good.  Strong light, so I can shoot at a low ISO with a small f/stop.  I wonder how the RX-100 V compares in these ideal conditions?".  I went back to the car and tried to duplicate the shots I just took using a small-sensor point-and-shoot.  Then I drove home.

The subject matter and the lighting were so good that I suspected enlargements from the two cameras would be indistinguishable.  (Click on any image to see a larger version.)

Saturday, February 4, 2017

Turn your iPad into a High-Resolution Film Scanner


(Okay, that's a misleading headline, since you also need a camera and a macro lens as well.  But it works and the results are great!)  
  
This method works much better than the dedicated film scanners that were once available: Using a 24 megapixel camera, you get a larger file size: 6000 x 4000 pixels versus 3779 x 2522 of the Nikon Coolscan LS-2000 (which continues to gather dust under my desk).  If you use an even higher megapixel camera, you can easily see just how unsharp your old film lenses were.


Here's what you need: